![]() ![]() You have to see it for yourself, collecting clues and try to make something out of it. He takes a picture of Laure while she is still Laure and he is the one who takes a picture of her seven years later, a photo that could spoil everything for her. ![]() Another important thing I can tell you is that we meet a photographer named Nicolas Bardo (Antonio Banderas). ![]() I can say that we move forward to seven years later and that Laure has changed her identity, more by mistake than on purpose. This event is what drives her the rest of the movie, but in what way I can not reveal. ![]() Laure Ash (Rebecca Romijn-Stamos) is the one who goes away with a very expensive artifact betraying a whole lot of people. I can tell the film opens with a heist, probably one of the most erotic ones out there. Explaining the story could ruin a lot and is probably useless anyway. Instead of cheating De Palma gives us a lot of little hints, easily missed the first time you see it. But who cares, 'Femme Fatale' is an exercise in style drenched in twists and turns. In fact, it is done so well you almost forget it is all close to nonsense. Reviewed by rbverhoef 9 /10 pure movie-makingīrian De Palma's 'Femme Fatale' is pure movie-making. ![]()
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